PJH Studios

Tag: ny times

  • Disney, masters of theme park operations

    Disney has theme park logistics down to a nimble operation that monitors all aspects of a park. They use a combination of weather reports, historical records, airline and hotel reservations to predict park capacity, but once the Magic Kindom opens, ride queues, cash registers at in park restaurants, foot traffic in particular areas are all monitored from a command center. From central command, more boats can be deployed if the queue reaches a certain thresh hold. Or:

    Another option involves dispatching Captain Jack Sparrow or Goofy or one of their pals to the queue to entertain people as they wait. “It’s about being nimble and quickly noticing that, ‘Hey, let’s make sure there is some relief out there for those people,’ ” said Phil Holmes, vice president of the Magic Kingdom, the flagship Disney World park.

    And sometimes, they even throw parades.

    What if Fantasyland is swamped with people but adjacent Tomorrowland has plenty of elbow room? The operations center can route a miniparade called “Move it! Shake it! Celebrate It!” into the less-populated pocket to siphon guests in that direction.

    It seems like a fun way to earn more dollars.

  • Joe McNally knows sugar plums

    Ballerinas are all the rage at the moment. Black Swan, New York Times critic Alastair Maccaulay stating that one dancer, Jenifer Ringer, “eaten one sugar plum too many” for a recent production of the Nutcracker. And now Joe McNally, famed photographer, comes to her defense.

    Joe took portraits of Jenifer with a giant, 40×80 Polaroid camera on his own dime. He knew she possessed the poise and grace to keep her composure for the length of time needed to get a decent shot.

    You also could not focus the camera. You had to focus your subject. Small shuffles back and forth would place them in that tiny zone of critical sharpness. Then they had to hold that position for about 30 seconds while the interior workings of the camera got spooled up, the lights got shut, and the flash fired. Not easy to do. Especially on point.

    But Joe recognizes an artist whose body is their art.

    It’s been equally wonderful to watch from afar as she has fought through personal struggles, dropped out of dance for a while, and then returned to the stage as a principal dancer. She has always talked straight up about the life of a ballerina, and her struggles with her weight. Her talent and candor, I feel, make her a beacon in the dance world, which prefers to keep the pain, the anorexia, the sweat and the tears behind the curtain. Ballerinas look amazing on stage. Offstage, their bodies can be just as beat up as an NFL offensive lineman.