Author: Patrick

  • Roald Dahl’s letter about his daughter’s measles death

    Roald Dahl’s daughter Olivia died from measles in 1962 before a reliable vaccine was available. In 1988, he wrote a letter published by Sandwell Health Authority in a pamphlet.

    Olivia, my eldest daughter, caught measles when she was seven years old. As the illness took its usual course I can remember reading to her often in bed and not feeling particularly alarmed about it. Then one morning, when she was well on the road to recovery, I was sitting on her bed showing her how to fashion little animals out of coloured pipe-cleaners, and when it came to her turn to make one herself, I noticed that her fingers and her mind were not working together and she couldn’t do anything.


    “Are you feeling all right?” I asked her.

    “I feel all sleepy,” she said.


    In an hour, she was unconscious. In twelve hours she was dead.

    The measles had turned into a terrible thing called measles encephalitis and there was nothing the doctors could do to save her. That was twenty-four years ago in 1962, but even now, if a child with measles happens to develop the same deadly reaction from measles as Olivia did, there would still be nothing the doctors could do to help her.

    On the other hand, there is today something that parents can do to make sure that this sort of tragedy does not happen to a child of theirs. They can insist that their child is immunized against measles. I was unable to do that for Olivia in 1962 because in those days a reliable measles vaccine had not been discovered. Today a good and safe vaccine is available to every family and all you have to do is to ask your doctor to administer it.

    It is not yet generally accepted that measles can be a dangerous illness. Believe me, it is. In my opinion, parents who now refuse to have their children immunized are putting the lives of those children at risk. In America, where measles immunization is compulsory, measles like smallpox, has been virtually wiped out.

    Here in Britain, because so many parents refuse, either out of obstinacy or ignorance or fear, to allow their children to be immunized, we still have a hundred thousand cases of measles every year. Out of those, more than 10,000 will suffer side effects of one kind or another. At least 10,000 will develop ear or chest infections. About 20 will die.

    LET THAT SINK IN.

    Every year around 20 children will die in Britain from measles.

    So what about the risks that your children will run from being immunized?

    They are almost non-existent. Listen to this. In a district of around 300,000 people, there will be only one child every 250 years who will develop serious side effects from measles immunization! That is about a million to one chance. I should think there would be more chance of your child choking to death on a chocolate bar than of becoming seriously ill from a measles immunization.

    So what on earth are you worrying about? It really is almost a crime to allow your child to go unimmunized.

    The ideal time to have it done is at 13 months, but it is never too late. All school-children who have not yet had a measles immunization should beg their parents to arrange for them to have one as soon as possible.

    Incidentally, I dedicated two of my books to Olivia, the first was ‘James and the Giant Peach‘. That was when she was still alive. The second was ‘The BFG‘, dedicated to her memory after she had died from measles. You will see her name at the beginning of each of these books. And I know how happy she would be if only she could know that her death had helped to save a good deal of illness and death among other children.

  • The birth and reverb of friendship by Derek Sivers

    This poem, the birth and reverb of friendship, by Derek Sivers, hit hard. An excerpt.

    The seed of who I am might have been there before.
    But the interaction with a friend made it sprout.
    That’s when this tree began.
    Conception versus birth.

  • How Musk Took Over the Federal Government

    The New York Times goes in depth as to how Elon Musk took over the government.

    Mr. Musk made clear that he saw the gutting of that bureaucracy as primarily a technology challenge. He told the party of around 20 that when he overhauled Twitter, the social media company that he bought in 2022 and later renamed X, the key was gaining access to the company’s servers.

    Wouldn’t it be great, Mr. Musk offered, if he could have access to the computers of the federal government?

    Just give him the passwords, he said jocularly, and he would make the government fit and trim.

    And with a little education on a few bureaucratic agencies, that’s essentially what happened.

  • The Bull in the China Shop Doesn’t Care What it Breaks

    “Like a bull in a china shop.”

    We know the bull’s indiscriminately destructive, sometimes purposeful, but what’s often missing is that often the bull doesn’t care what it breaks. No matter how revered, inconsequential, reinforced with robust protections or an honor policy not to touch, it’s all the same to the bull. A thing.

    And when the minders of the shop allow the destruction to continue, while the customers watch in horror? They’re complicit in the shop’s destruction.

  • The Oscar Best Picture Nominees, each uniquely weird

    Wesley Morris ties all the 2025 Oscar Best Picture Nominees with a common thread: they’re each uniquely weird.

    They’re weird — every single one. They take weird forms. The people in them do weird stuff. They induce weirdness in you.

    I’ve seen 9 out of 10 of the nominees (still waiting for I’m Still Here to be available), and my vote would either be Conclave or Anora. Each contains beautifully composed cinematography for their respective stories with casts that held my attention the entire time. But they’re vastly different. Conclave runs along as a tense thriller, while Anora is a fable with a Three Stooges episode in the middle.

    And regarding Wicked, I texted two friends:

    begrudgingly and surprisingly enjoying it. It’s like skittles in movie musical form

  • Gen Z data points

    When it comes to trusting media and information, Gen Z gives priority to the immediacy of influencers versus the authority of actual experts.

    It’s not that Gen Z doesn’t believe in experts. Rather, it’s that social media has rewired the way they think about credibility. TikTok influencers are now our “friends.” The algorithm repeats and reinforces what we already believe. And a well-edited, engaging video is much more convincing than a long, complicated explanation from a professional. Credibility today isn’t about expertise but about who tells the most compelling story. This change is slowly reshaping how an entire generation decides what is true and what is not—sometimes with demonstrably negative results.

    In today’s age, media literacy is a critical skill. Being able to read and write means nothing if you can’t discern good information from bad. Those skills also transfer to employment, the ability to grow a career and income.

    Because everything is expensive now, especially housing. While the next article focuses mostly on Canada and their Gen Z population, it cuts to a basic reality of why young adults struggle to live independently–shit’s expensive, yo.

    Renting is also largely off the table: as of 2023, the average rent for a one-bedroom apartment in Canada was about $1,700, a 35 per cent increase from five years ago. “Even my friends with high-paying corporate jobs are living at home because 90 per cent of their money would be going to survival,” says Liam Tully.

  • Five Card Nancy

    From Scott McCloud, Five Card Nancy consist of thinking five random panels from the Nancy comic strip and making a three panel comic. It’s like Cards Against Humanity, but more surreal.

  • MD Foodie Boyz

    “These are three middle schoolers who podcast,” Barstool Sports’ Pat McAuliffe explained in a podcast episode this week, where they attempted to book the boys for their show. “It’s an unintentional parody of what podcasts are. They’re like ‘what’s your favorite pizza,’ and then they just talk about pizza.”

    There’s something hilarious about the juxtaposition of the young boys’ extremely basic food reviews and the high quality podcast studio they’re filming in and slick editing on their clips. (Their parents have access to a podcast studio and one of their older brother’s produces the clips).

    Taylor Lorenz, Meet the MD Foodie Boyz