Author: Patrick

  • How to have a whiskey tasting

    Whiskey bottles in my collection
    Whiskey bottles in my collection on display for a whiskey tasting.

    How to host a whiskey tasting

    1. Know the difference between the types of whiskey.
    2. Decide which whiskies you wish to share.
    3. Be able to talk about a) whiskey in general, b) each individual whiskey.
    4. Serve food.

    Recently, I held a whiskey tasting for a small group of friends. Over the past several months, I’ve amassed a small collection of whiskies, and decided to share them. I announced a date far enough in advance to make sure enough could plan and attend. Prior, I asked around, casually, if people would be interested. There were, with several admitting their lack of whiskey knowledge.

    In between the booking of the date and the tasting, I did research. In order to get a history of the drink, I ordered a copy of Kate Hopkins’ [easyazon-link asin=”B00375LMUM”]99 Drams of Whiskey: The Accidental Hedonist’s Quest for the Perfect Shot and the History of the Drink[/easyazon-link]. 99 Drams tells of Kate and her friend in search of what would make someone spend $10,000 on a rare bottle of whiskey. As they search, Kate tells of how whiskey and the various types—scotch, scotch whisky, Irish whisky, bourbon and other variants came to be. Like all alcohol, sordid political games influenced the making and evolution of the drink. The book provided enough insight and clarity to cover the distinction between the different kinds. It’s like a travelogue for whiskey.

    I also picked up two coffee table books, which were basically the same. [easyazon-link asin=”0756654432″]World Whiskey[/easyazon-link] and [easyazon-link asin=”0789497107″]Whiskey: The Definitive World Guide[/easyazon-link]. Both contain many of the same pictures and same basic facts. World Whiskey is newer, and I feel, better organized. Lastly, I purchased a whiskey tasting guide, [easyazon-link asin=”0955472954″]Jim Murray’s Whisky Bible[/easyazon-link], an odd, legal envelope shaped book with a plethora of tasting notes for thousands of whiskies. It’s hard to read but interesting guide.

    All books were purchased used on Amazon for a total of less than $20. Wikipedia helped with some minor details and pictures. I browsed whiskey maker websites to learn their story. One thing Kate Hopkins talks about in 99 Drams is, how much a maker’s story is true, or marketing embellishment. A good story doesn’t affect taste.

    For the tasting, I chose a sampling of the 3 main types—an Irish, a scotch (whisky) and 2 bourbons, for a total of 4 tastings. They could then have a drink of any of the 4 they tasted or venture into my whiskey collection. Before deciding on the four tastings plus one drink menu, I debated how many to serve. With everything at least 80 proof, I was going to have to minimize the serving size, number of servings and be up front with everyone showing up having eaten a hearty meal.

    To serve the tasting to a large group, I ordered two ounce plastic cups. They’re large enough to be held easily, distributed quickly and to pour small amounts evenly in. Given that you’re supposed to wait one hour per alcoholic drink consumed, I wasn’t going to serve full shots of whiskey. Each two ounce cup would contain about a half an ounce. The half ounce would suffice to see the color of the whiskey, smell it, and taste it and its finish.

    To finish out the tasting, I researched food pairings. Dark chocolates go with most scotches, pecans go with most bourbons, gouda, brie and water crackers go with most Irishes. I filled out the party plate with deli meat and pretzels. Several whiskey sites suggested fried chicken and bourbon (or American whiskey). Perhaps next time, I’ll get some Babe’s Fried Chicken to go and share an assortment of bourbons.

    Lastly, I made a slide deck in Keynote, transferred it to the iPad and used my iPhone to control the presentation. I made the deck to keep everyone on the same footing, and with a noisy room of drinks being passed, the slides would set a bearing to what was being said. Plus, the pictures or words would trigger what I needed or wanted to say. Afterwards, I made notes in my head about how to rearrange the slides if I were to do this again.

    People arrived, and I offered water to everyone. We began.

    All the tasting articles suggested to start with the lightest whiskey first. This is akin to wine tasting. Similarly to wine tasting, you use four senses to fully taste the whiskey—sight, smell, touch (with your tongue, is the whiskey thick, thin, oily) and taste (for flavors and the finish which can leave different flavor notes). Dissimilarly to wine tasting, you add water to whiskey for a tasting. Debates rage about this practice and about how to drink whiskey in general. The water opens up various compounds from the alcohol and lessens the bite of the alcohol. High proof whiskies should be watered down to get their full flavor. For a drink, a splash of water will do. For a tasting, a few drops will work.

    We started with the Powers Gold Label Irish whisky.

    (Trivia: typically, Scotch and Irish whiskey varieties spell whiskey without the e, and the US does. There are exceptions but it’s a general point.)

    Then we moved to a bourbon, Basil Hayden’s.

    Third, Maker’s Mark.

    Lastly, Johnnie Walker Black.

    In between tastings I would go through a few slides about the history or the process of making the drink. Whiskey is just as diverse as wine or beer, but with most spirits containing at least 40% alcohol, the barrier to entry is higher. Personally, I’d like to see smaller bottles to lower the risk of trying a new whiskey, however, for most distillers, such a practice isn’t viable. I’ve surmised that to find what you like, take risks, ask the folks at the liquor stores, research whiskey. A devoted contingent of whiskey bloggers and tasting sites and magazines do exist. Have friends pick a bottle for a party. Different bars serve different spirits, especially four or five star hotel bars in different parts of the country. Like all subcultures, there are passionate people of all types. What’s exciting, is that Fort Worth will soon have a distillery, Firestone and Robertson.

    And, did you know, that if you distill beer, you get whiskey?

  • Ten years on, he still stands

    Ten years on, new stories find a way to be told about that day. Everyone owns a part of history, however far removed they were from the events that occurred. September 11, 2001 horrifically created a common experience.

    My experience became real, running late to a business law class and arrived to a visibly upset professor. Upon hearing the news from his students he said, in a broken voice, “I can’t do this today, class dismissed.”

    Everyone left in search of news, finding nothing to make sense of the morning.

    The morning after, September 12, I woke up early to seek out a New York Times. By 8 am there were no copies left in the student union, the grocery store across from campus, nor the convenience store a block away. You Tube, Facebook and social media as we know it today, let alone the scale of internet news didn’t exist. A physical newspaper still retained meaning, as if to say, “yes, yesterday did happen.”

    Twice a week, I submitted political cartoons to the campus newspaper, the TCU Daily Skiff. The cartoon for September 12 was already published. I called an editor and told them I’d have a cartoon for them by mid afternoon.

    I sat at my desk, in my dorm, with my sketchpad and wrote down a few words. What did I want the cartoon to say? A good political cartoon evokes an idea with minimal need for words. The Skiff’s cartoon for the 12th was that of a dark grey bust of the Statue of Liberty, torch held high, and a white, contrasting tear falling down her cheek.

    Powerful, somber, resonant.

    Somber.

    I couldn’t do that the next day. I had to go a different direction. Horror? Anger? Defiance? Resilience? Depressing? Ashes? Smoke? Flags? Firefighters? Police? Uncle Sam…

    Uncle Sam, ashes, smoke…

    There’s a Pearl Jam song, Given to Fly, where the line at the climax of the song, Eddie Vedder sings, “At first he was stripped, then he was stabbed by faceless men, well fuckers, he still stands.”

    “He still stands.”

    Uncle Sam still stands amidst all the ashes and rubble and smoke.

    The song continues on, “He still gives his love, he just gives it away.”

    I’ve got the image in my head and quickly sketch it out. I then draw on the paper I use to submit the cartoon and pencil the basic image and finish with the inks. I turned the cartoon in that day, and it ran September 13th.

    I chose resilience.

    = = =

    I’ve since lost the original inked version. Moving tends to misplace pieces of paper. Below is the only remnant of that cartoon.

    TCU Daily Skiff cartoon that ran 9/13/11, two days after the September 11 attacks.

  • Review of the Star Telegram iPad app

    Summary: The Star Telegram app is functional app that delivers content well, but restricts and undervalues the content. Pros: great value, photos look great, environmentally friendly, solid delivery of content. Cons: You’re reading a PDF at first, inconsistent browsing behaviors, the power of the iPad is underutilized, download times vary.

    Price: The app is free, with $2/month for print subscribers, $7.99/month, $75/year. This seems like a fair value, or an outright deal if you crunch the numbers compared to buying a paper a day or even subscribing to the print edition. Upon opening the app, you’ll need to sign in to download editions. If you have a Star Telegram Account, you can do this, and add subscriptions to your account, or you can purchase a one month subscription from within the app.

    Star Telegram iPad app first screen

    The physical layout is the paper layout–familiar but outdated. The iPad can richly deliver text, images and video, with unique behavioral interactions, yet the content remains constrained to a print layout. You cannot select text in this “paper” format. Pictures are vibrant and crisp and benefit the most from the app–no more misaligned color plates or inconsistent coloring ruining photos. Personally, I’d like to see a behavior to zoom in on images or make them full screen. Text is crisp similar to a well formatted PDF, but has to rejigger itself every time you zoom in and out. This is a disadvantage of constraining a print format within a digital format.

    Depending on the amount of content in the paper for the day will determine how long it takes to download the day’s edition. Mondays take about 2 minutes, while Sundays take nearly 10 minutes over a high speed internet connection. [This was done at home over a Uverse broadband connection, with the iPad connected wirelessly.] Ads remain prominent, and in Sunday editions, most advertising inserts are not included–very limited set of coupons, no store inserts such as Best Buy ad, etc. Yet the Parade insert is included.

    Navigation/Interaction

    Initial navigation is to read the paper, a PDF-like image of the paper

    • Swipe or touch translucent blue tabs to change pages
    • Pinch and expand to zoom out/zoom in, respectively
    • Single click on an article to zoom in on it
    • Double clicking on an article will bring up a native text format article, where text size can be changed larger or smaller for readability and copied. You can browse to other text articles via the up and down arrows on the menu. Can also share via email, Facebook or Twitter. The email sharing crashed the app for me, and the Facebook and Twitter sharing worked as expected, where you sign in, or authorize, the ST app to use the respective service to share the app.

    Re: Facebook sharing. Why, WHY, does the Star Telegram app need “my name, profile picture, gender, networks, list of friends and any other information I’ve shared with anyone?” I could very easily go to the site, copy the equivalent link for the story and then paste it into Facebook. I refused.

    Re: Twitter sharing. Very straight forward, The tweet turns into something like, “Check out this article: (headline) (Bitly shortlink),” which you can edit before posting.

    There is no print capability. If you’d like to print out a recipe, or blurb, it might be best to go to the Star Telegram site and print it. (Or email it to yourself, if the email function works for you.)

    Menu

    • Can browse 7 days of back issues
      st_app_screens 6 Star Telegram iPad app issue browser  

    • Can bookmark articles for later reading
    • Can search the current paper
    • Three ways to browse sections

    A. Drop down menu of sections, includes a count of news stories within that section. Touch a section and a list of stories will appear. Touch a headline, and the behavior of the app will take you to the “paper” view of the story, not the readable, full text of the story. If you click on a front page article, or a column that jumps to another page, you then have to click again to get to the rest of the article. Why not go to the full article?

    Star Telegram iPad app drop down menu

    B. A series of tabs can be overlaid for each section, and remain there until you go to a text article or choose to make them go away.

    Star Telegram iPad app tab menus

    C. The River of Digital Paper. Take each flat of 2 pages, line them all up in a row, and make them scroll left or right, depending on where you’d like to browse. It’s an interesting way browse, to get a sense of scale and general idea to hop to a section. You can pinch and expand as you would the rest of the paper, however, It’s not very readable. Quite frankly, you can see all the ads and determine how much content there’s in the paper, which seems sad when put in this perspective.

    Star Telegram iPad appriver of digital news

    Misc.

    Blue highlighted text is clickable–email, websites, phone numbers, in both the paper and text versions of the articles.

    If app is minimized, or closed, and reopened, it will take you back to where you were. If a day passes, the app will take you to the front page for that day.

    Other tests

    Out of curiosity, I did an airplane test, or what can I do without an internet connection test. It appears, if you’d like to read the Star Telegram iPad app without a connection, you must first connect and download the edition you’d like. That makes sense. However, you’re limited to the “paper” version. You cannot double click to get a text formatted article. Not horrible, but slightly disappointing.

    Also, I did a Mom test. I handed the iPad to my mother, and asked her to browse the paper. For the most part, she figured it out, but there were two hang ups. The Search icon is a magnifying glass, which to her meant to zoom in. She wanted to zoom but didn’t get it. Perhaps a different icon would help? Secondly, once she found the text version of the article, she tried to swipe left and right to the next articles. This is inconsistent with what you’d do in the paper version. Why make the behaviors different?

    Potential and final thoughts

    I’ve lived in Fort Worth for nearly 12 years, and remember the Star Telegram as a content rich paper, with numerous features and news articles. In those 12 years, it’s devolved into a shell for sparse local coverage and wire service articles. Have you picked up a Monday paper in a while? It’s sad, kind of like seeing a loved one lose too much weight to the point they look unhealthy.

    The iPad app is a healthy boost for the content, but I can’t help feel it’s restricting the content they wish to provide. Here’s a device that 12 years ago existed in the fantasy of science fiction, yet, is being treated as a digital microfiche viewer, you know, those bulky boxes where you’d put a film slide of newspaper over a light and you could view it. At the time, that was a great way to share archives of newspapers. Today, treating your content as microfiche film undervalues it.

    Make it rich, make it interactive, get out of the grid of a print layout. Why can’t advertising go to the sponsor’s website (business opportunity!)? Why can’t Amazon affiliate links go into content (business opportunity!)? Why can’t trailers (or Galloway and Hate videos) be included for movies, books and whatever else (business opportunity!)? Why can’t classifieds be structured differently, ala a Craig’s List, instead of squinty little boxes, a holdover from the 19th century (business opportunity!)? Why can’t daily deals, the Star Telegram equivalent of Groupon (business opportunity!), be integrated? The photos look great, why not add photo stories, ala The Big Picture to focus on the vivid and diverse settings and people of the Metroplex.

    Granted, this is a 1.0 app, and with first versions, you want to get the core feature set right, which, for the most part, they did. The app is functional, and the content is there, and feels much better than the Star Telegram website.

  • Review: Creative Black & White Photography by Harold Davis

    [easyazon-image-link asin=”0470597755″ alt=”Creative Black and White: Digital Photography Tips and Techniques” src=”http://ecx.images-amazon.com/images/I/41%2BUp%2BR-BSL._SL160_.jpg” align=”left” width=”128″ height=”160″] [easyazon-link asin=”0470597755″]Creative Black and White: Digital Photography Tips and Techniques[/easyazon-link] by Harold Davis is an excellent starting point for beginning photographers or a good reference for advanced photographers looking to learn new techniques.

    Most valuable to beginners is the first section, The Monochromatic Vision. Davis clearly and concisely discusses basic photographic concepts to make a good picture. These concepts extend well beyond black and white pictures. He gives examples and considerations to take into account for each concept. Also, photographs are provided to illustrate the concept with a detailed caption of how the photo applies and technical information about it, as well.

    The second section, Black and White in the Digital Era, introduces the tools and basic processing techniques for black and white photos. The tools are Adobe-centric, detailing Adobe Camera Raw conversion, Lightroom and Photoshop. These processing techniques can be found in other tools, only implemented differently. Davis emphasizes the power of RAW files and how best to work with them to get black and white images that have contrast, tones and impact.

    The third section, Creative Black and White Opportunities, builds on the previous section to provide steps for effects and tricks like sepia coloring, duotones, soft focus and more. This is where Davis really shows the art in the process of processing an image. There are numerous ways to go, and it depends on the photo to create the desired effect.

  • Recent comics reads

    [easyazon-link asin=”1401229697″]Daytripper[/easyazon-link] – Gabriel Ba and Fabio Moon: A lush, moving and beautifully illustrated graphic novel tells the story of obituary writer Brás de Oliva Domingos and his life. Themes of love, redemption, friendship, fatherhood, work and the purpose of life intertwine with each chapter. At first, Daytripper’s gimmick seems abrupt, but as it progresses, the narrative builds as time jumps back and forth within Domingo’s life. The supporting cast of characters serve their purpose with purpose as part of the story. Ba has written a meaningful story and Moon colorfully illustrates each page with artwork that feels alive.

    [easyazon-link asin=”1607061597″]Chew Volume 1: Taster’s Choice[/easyazon-link] – John Layman and Rob Guillory: Tony Chu is a cibopath, able to discern an entire history of an object by eating it. He’s also a cop, who after a botched arrest, is hired by the Food and Drug Administration, where in the world of Chew, is the most powerful government agency in the U.S., due to an ongoing bird flu pandemic. He is teamed with a fellow cibopath, Savoy to solve a case of a missing FDA inspector. Chew is a bizarre concept, surreal at best, playful but serious in the story its telling. This is not for the squeamish. Guillory’s artwork is colorful and lively and brings an animated feel to Layman’s story. Definitely work checking into other trade paperbacks.

    [easyazon-link asin=”1401229654″]iZombie Vol. 1: Dead to the World[/easyazon-link] – Chris Roberson and Mike Allred: Gwen is a zombie, but not a conventional zombie. She needs to eat a brain once a month to stay functional or else she starts to go crazy. Her two friends are Stacy a ghost who died in the 60s and a wereterrier (like a werewolf but not quite as vicious) named Spot. Add a mysterious man with connections to the past, a covert monster hunting group, and various factions of undead, you’ve got the concept. The characters are simple, the conflict pretty generic and the artwork, while well drawn, doesn’t add life to the story. In this first trade, the story doesn’t get interesting until the last chapter.

    [easyazon-link asin=”1607060906″]Dead@17: Ultimate Edition[/easyazon-link] – Josh Howard: This collects the first four trade paperbacks of the Dead at 17 series, which features Nara Kilday fighting the undead and evil spirits. The art is light, animated and clean, and gets better as the series progresses. The story rarely veers from the pattern of conspiracy of the undead controlling some power that needs to be stopped. There are some unique twists, and depending on your patience, decent subplots. At times, the narrative feels rushed and overly wordy at times. Surprisingly, there are strong Christian undertones of life and redemption.

    [easyazon-link asin=”1401213170″]Scalped Vol. 1: Indian Country[/easyazon-link] – Jason Aaron and R.M. Guerra: A gritty, modern noir set on an indian reservation in the Dakotas. Dash Bad Horse ran away from the reservation at 15 to make a life for himself, and now enforces law for Lincoln Red Crow on the Prairie Rose Indian Reservation. The characters and interactions are complex and violent. Definitely worth following and reading additional trade paperbacks.

  • A biplane on a rooftop

    For things that aren’t what they seem, a biplane on a Manhattan rooftop is one of them.

    Though Kaufman delights in onlookers wondering if a plane did indeed fly in and land on 77 Water Street, the aircraft is actually just an artistic re-imagining of a 1916 British Sopwith Camel, designed by Rudolph de Harak and constructed by sculptor William Tarr. It was hoisted into place by crane in 1969 and hasn’t moved since.

    Art installations on a rooftop seem better than a helipad or air conditioning units.

  • Photo proof you don’t get it right the first time

    Below shows that the best shot isn’t the first one you take. Iteratively and progressively, you build on what worked, and use your knowledge to make it better. Also, stuff happens in post-processing of images. As an aside, I prefer to shoot in aperture priority mode to control my depth of field, and I’ll comment on settings for folks, if they’re into that sort of thing.

    This is with a bare flash (Vivitar 285HV wide zoom, 1/16th power and camera at f 8, aperture priority). The flash is too bright, nuking the army dude with light. Need to soften the light a bit.

    armymen070611

    A few shots later, I put a Wescott mini-Apollo softbox over the flash. The softbox is about 10″x6″ and fits on the head of the flash well. The light is softer and direct, but the image needs something more than an army guy on a table.

    armymen070611

    They defend stuff, right? So I grabbed the salt and pepper shakers, letting the title of “defending the shakers” float in my mind. Ok, it’s somewhat interesting, but white light seems a bit much.

    armymen070611

    I took the softbox off the flash and added a warming gel and reattached the softbox. I really like this…

    P1000689 - Version 2

    …and let’s punch it up a bit in post-processing, changing the levels, tweaking the curves and upping the saturation.

    armymen070611

    Continuing on, I added a machine gunner buddy. Cool, but what if I added some light behind them?

    armymen070611

    I placed a LumoPro 160 (1/8th power, zoomed to 85mm, placed a foot from the army guys). I should have known it would have been too hard (it’s like a flash grenade went off).

    armymen070611

    I moved the LumoPro to a counter top, so now that flash is about 6 feet away with the Vivitar still sitting pretty. Like earlier, the white light isn’t doing it for me.

    armymen070611

    I placed a warming gel on the LumoPro, took a few shots, and this is the one I like. Sharp and warm and with a good angle.

    armymen070611

    …and now punched up in post-processing like above.

    armymen070611

  • Recent reads

    Some thoughts on the books I’ve read over the past two weeks:

    1. [easyazon-link asin=”0385533853″]Robopocalypse: A Novel, Daniel H. Wilson[/easyazon-link] – a fast paced science fiction thriller, where, in the future, mankind’s robots rebel. Told from the perspective of a handful of characters, Robopocalypse begins Archos gaining sentience and killing his master. From there, a violent, dystopian uprising occurs. Themes of survival, humanity, redemption and evolution occur throughout. If you read a lot of sci-fi, you’ll notice similar elements–cold, logical robots, hacking, cybernetics, etc. It’s already been optioned by Spielberg for a movie.

    2. [easyazon-link asin=”0571160565″]Lord of the Flies, William Golding[/easyazon-link] – Somehow, I got out of high school not reading this, the tale of how a group of boys descend into savages on a remote island. Symbolism abounds as the story progresses–Christ figures, society, morals, rational logic, rules. I found myself annoyed by what Golding captures well–the constant squabbaling of young boys, particularly over the same few things and specifically the damn conch.

    3. [easyazon-link asin=”B003VYBEK2″]Escape From Cubicle Nation, Pamela Slim[/easyazon-link] – What gives Slim’s book more weight is the fact that she’s done it, and provide concrete steps to overcome fears. Getting ideas, fleshing them out, how to test them, how to figure out the finances, how to live. She quotes other experts a great deal and provides relevant anecdotes–good and bad. More can be found at Escape from Cubicle Nation.

    4. [easyazon-link asin=”0399157506″]The Book of Even More Awesome, Neil Pasricha[/easyazon-link] – Appreciate life, and be grateful at all the things that there are to enjoy. This is the second book that collects Pasricha’s blog, 1000 Awesome Things. [easyazon-link asin=”0425238903″]The Book of Awesome[/easyazon-link] and The Book of Even More Awesome serve well as coffee table books, or books you pass around and read aloud with friends–they’re meant to be shared.

    5. & 6. [easyazon-link asin=”140122430X”]DMZ Vol. 7: War Powers[/easyazon-link] & [easyazon-link asin=”1401227260″]DMZ Vol. 8: Hearts and Minds[/easyazon-link], Brian Wood – Continuing the story of Matty Roth, reporter in the war zone that is Manhattan, War Powers has Roth acting as recently elected Delgado’s right hand man to seek out gold in Chinatown. Roth realizes he’s a pawn, and isn’t as independent as he wishes to be. This leads to Roth bargaining his position of power with Delgado, leading to Hearts and Minds, where Roth begins to use his new found political power with great consequence. The consequence–Roth doesn’t know how to wield power responsibly and ends with one wondering, are there any good guys?

    7. [easyazon-link asin=”0877881383″]The Creative Call, Janice Elsheimer[/easyazon-link] – Similar to [easyazon-link asin=”1585421472″]Julia Cameron’s The Artist’s Way[/easyazon-link] with weekly chapters of personal creative growth, albeit with a Christian perspective. There are still the daily journaling exercises, weekly tasks to focus on, but Elsheimer includes Christian scripture. This would be a good book for churches who’d like to take a different look at spirituality.

    8. [easyazon-link asin=”1935597035″]Crossing, Andrew Fukada[/easyazon-link] – Xing Xu is a Chinese born immigrant living in small town New York, feeling the awkwardness of being a teenager and the critical eye of an immigrant. Mysterious disappearances begin occurring around town and Xing investigates. It’s a brief, haunting and chilling novel as we witness Xing struggle to fit in and find acceptance. Sparse descriptive prose lead to a heartbreaking ending.

  • Summer video: Wild Flag – Romance

    Sure, you’ve got your summer songs with Katy Perry, Lady Gaga. I’ll raise you one, with Wild Flag, an all girl out fit from Portland.

  • Review: The Terror by Dan Simmons

    Terror by Dan Simmons

    Dan Simmons attempts to write a supernatural, horror, historical novel version of Moby Dick. Where Melville’s monster was an albino whale stalking Ahab’s Pequod, Simmons conjures up a mythical beast that roams the Arctic Circle slowly picking off the crew of the HMS Terror and Erebus frozen in ice. And like Moby Dick, Terror plods along much too long with unnecessary plot lines and characters that only serve to let the author discuss themes.

    Evolution? Check! Nihilism? Check! Absurd 19th century social mores? Check! Evil white man? Check! Noble savage? Check! Alcoholism? Check! Environmental concerns? Eskimo mythology? Betrayal? Love? Cannibalism? Check! And so much more.

    What works well within the novel is the depth in which Simmons describes life aboard a Royal Navy ship and what it takes to run it. Using the ill-fated John Franklin expedition, in search for the Northwest Passage as a backdrop, each chapter is told from a crewman’s perspective, with the main character being Captain Francis Crozier. The novel begins mid story and chapters go back and forth into the past (of the expedition, characters lives) to tell how the crew got to its absolutely depressing point.

    Pointedly, men die as the novel progresses, in numerous ways. And like the unbearable cold of the Arctic, this tone doesn’t let up. Give us something to hope for, as there’s not much. Like most horror stories, what can go wrong whether it be from sheer character stupidity or the horrific force bearing down upon the characters, will go wrong in Terror. You have to wonder, is anyone intelligent or gives a damn enough to live?

    The blend of historical fiction and horror works, however, the unnecessary diversions to draw out themes bloats the story. Melville used an entire chapter on cetalogy, the study of whales. Simmons uses a sermon about Jonah being swallowed by a great fish. There’s a crewman who plays the human villain, who is a homosexual, while there’s a chief crewman who’s also a homosexual who feels like a token character to balance out the other. At one point, Crozier suddenly gains supernatural abilities himself, when there was no inkling that he had them at all. This feels forced.

    And then there’s the end, which feels forced, pulled out of nowhere to create a happy ending. Sure, we don’t know what happened to the crew of the Terror and Erebus, more than likely they all froze to death, but their descent into unintelligent-able madness seems a disservice.