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Airline safety videos become entertainment
I don’t fly often, so I guess I missed out on this train, but increasingly, airline safety videos are not filmed on on a plane.
… The airlines weren’t just making safety demonstrations. They were making entertainment, engaging in an arms race to make their safety videos bigger, better, and frankly: more ridiculous.
To track this evolution, I analyzed hundreds of airline safety videos spanning thirty years. And then, I took them apart. I dissected their locations, music, and celebrities.
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How Adolescence pulled off those one takes
Fascinating behind the scenes of how Netfix’s show Adolescence pulled off four one take episodes (steadicam & harness) plus seamlessly attaching a camera to a drone.
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A 500-year history of monsters
Natalie Lawrence goes through 500 years of monsters. Their origins often reflect the society and culture of the time.
At different points through history, individual monsters – both ancient and new – have had their moments in the limelight. They’ve becoming the emblems for specific events, conflicts and concerns that were troubling society at particular times.
The many topical monsters that have emerged over the past half-millenium can offer windows into an ever-shifting cultural psyche. What do they reveal about the zeitgeists of different periods?
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Dungeon Crawler Carl and the gleeful fun of LitRPG fiction
“You’re the main character of your story,” works well as a general lesson of self empowerment and a foundational aspect to role playing games (RPGs) such as Dungeons and Dragons. Literary RPGs take the other components of RPGs–combat and magic systems, creatures and quests–and weaves an adventure in narrative form.
Matt Dinniman’s Dungeon Crawler Carl series might be the best example of the genre, now on its seventh book. Carl and his ex-girlfriend’s cat, Donut, survive an alien invasion only to be thrust into a galactic survival game show with a sprawling cast of alien species and mythical monsters. As Carl and Donut progress through the dungeon, they level up with gear and magical items. What Dinniman brings to the genre is well executed humor, drama, and pathos.
Those well versed in pop culture will be rewarded as monsters and gear are referenced as the series progresses, sometimes with twists or subversive elements. There’s a reason for this, too, revealed in one of the books.
As the books progress, Carl encounters a different game being played in each level of the dungeon. Most of the time these plot devices work, but book 3, The Dungeon Anarchist’s Cookbook, involves a convoluted maze of trains, inordinate exposition is required to finish the story thus weakening the book. And that book pulls in numerous plot threads that come together in later books.
And with each level, the cast expands, a broader story of political intrigue grows, and existential themes of life, love, justice, compassion, and economic systems are brought to life in uncanny ways. A mentor acts as a guide but is an indentured servant to a brutal corporation. A Jurassic Park like dinosaur and the responsibility of fatherhood. A foul mouth head of a sex doll that exemplifies toxic relationships. A teenage girl that can command dogs but not her own trauma. And Carl, for all his John McClain gravitas, struggles to keep his humanity.
Are you getting Pulitzer Prize writing? No. But are you getting an escapist read that’ll distract you from real life?
Yes.
- Book 1: Dungeon Crawler Carl
- Book 2: Carl’s Doomsday Scenario
- Book 3: The Dungeon Anarchist’s Cookbook
- Book 4: The Gate of the Feral Gods
- Book 5: The Butcher’s Masquerade
- Book 6: The Eye of the Bedlam Bride
- Book 7: This Inevitable Ruin
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Eames Institute Curious 100
Absolutely love this list of talented and creative folks, the Eames Institute Curious 100. Some I’m familiar with and others who are new.
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The Opposite of Fascism
I’d quote the whole article, but go read what Anand Giridharadas writes regarding the opposite of fascism.
The best revenge against these grifters and bigots and billionaires and bullies is to live well, richly, together.
The best revenge is to refuse their values. To embody the kind of living — free, colorful, open — they want to snuff out.
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Bed Rotting is a thing
‘When you’re bed rotting, you’re not sleeping, just lying there, scrolling on your phone, watching TV, or doing nothing in particular,’ Monroe continues. ‘It’s often framed as a way to “check out” from the demands of life, work, or stress. The term can conjure images of decay or stagnation, which can feel relatable to people who are overwhelmed or burned out.’
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Richard Scarry and the art of children’s literature
Chris Ware delves into the history and magic of Richard Scarry’s Busy Town world.
Scarry followed What Do People Do All Day? with a series of books all set within the same society, including (among others) Great Big Schoolhouse, Cars and Trucks and Things That Go, and Busiest People Ever! The Busytown books, as they came to be known—with their dictionary-like visual presentation paired with lightly slapstick situations and the presence of recurring, memorable characters like Huckle Cat, the Pig family, and my favorite, Lowly Worm—grew into a real-feeling big world that Scarry seemed to be letting little ones into. (Lowly was perhaps the first children’s book animal character with a real nod to the ADA and the myth of “dis”-ability, and cheerfully makes his linear form work in all sorts of inspiring and disarmingly moving ways.)
Those Busy Town books could occupy my entire afternoon as a kid. Pair those books with generic Lego blocks, and 5 year old me would attempt to recreate the scenes. There never was a mini-fig worm with a hat, though.
